We’re thrilled for Matthew Lansburgh, whose story collection, Outside is the Ocean, winner of the Iowa Short Fiction Award, publishes this week. The title story appears in the current issue of Ecotone.
We love the review from Kirkus, which describes so much of what we love about Matthew’s work: “Not for the faint of heart, this collection is relentless and intense, but Lansburgh’s prose offers stunning moments of tenderness amid its stark depictions of loneliness. Arresting and pointed.”
We hope you’ll check it out!
Clare Beams’s We Show What We Have Learned is a finalist for the New York Public Library’s Young Lion’s Fiction Award! The prestigious prize is awarded each spring to a writer age 35 or younger for a novel or a collection of short stories. Congratulations to Clare and to all of this year’s finalists: Brit Bennett, Kaitlyn Greenidge, Karan Mahajan, and Nicole Dennis-Benn! “From high-concept premises, to the exploration of heartbreaking family dynamics, each of these debut novels [and story collection!] exemplifies the power of the written word.”
Congratulations, Clare. We’re thrilled the literary community sees all of the beauty we do in this incredible book.
In early February, more than 12,000 writers, editors, teachers, and publishers descended upon Washington, DC for the annual the 50th Annual AWP Conference and Bookfair. Taking a break from the action (read: filling tote bag after tote bag with new books), four UNCW MFA candidates stopped by the Lookout + Ecotone booth to share with us those titles that carried them into the new year.
Station Eleven was suggested to me by a trusted reader friend after hearing my complaints about literary depictions of post-apocalyptic worlds that leave civilization in a survivalist state. The narrative follows Kirsten, a traveling performer, twenty years after a viral outbreak killed most of the human population. She tours with a band of actors and musicians who perform in the villages and settlements they rest at within the Midwestern United States. The troupe’s go-to performances are Shakespeare plays. I had my copy of the book signed by Emily St. John Mandel at last year’s AWP, even though I hadn’t finished it at the time. What I admire most about Station Eleven’s narrative is its devotion to the survival of the arts instead of just that of humans. It defines being human as preserving these arts, which make up our culture. Without drama, music, writing and art, what would our existence be?
—Will Dean, MFA candidate in fiction
George Harrison said, “Music should be used for the perception of God, not jitterbugging.” In Robert Ostrom’s latest collection of poems, Ritual and Bit, we see an artist not only challenging us to perceive a God but also talking directly to a God in prayers, an artist inserting himself into the story of creation. What is it to be homesick with spiritual memory, being fully aware that we’re reconstructing our memories every time we retell them? Ostrom leads us through with intimacy: “Trust me, says what you’re about to read to your beautiful ear.” He takes us to a place where words are relics—each one holding a little life, beauty, loss. And we leave haunted, but in a good way. We’ve felt an exquisite purpose.
—Ashleigh Bryant Phillips, MFA candidate in fiction
Over the summer I began reading What About This? Collected Poems of Frank Stanford. Stanford was a Southern writer who, because of his early death by suicide in 1978, was not widely read during his lifetime. This collection was published by Copper Canyon Press in 2015 and includes previously published and unpublished fragments of poems. His poems are relatively short, usually less than thirty lines, but because of their cryptic language they speak above and beyond any single moment. Stanford has the ability to talk about these strange characters from the South and Midwest without being anchored in an exact time or place. I read his work and know that whatever sense of understanding I glean could still be so far from the vast map of meaning he had in his head at the time of writing, and that is the exciting part. I am left with raw emotional data every time I read his work. His poems are like circus freak shows moving through the night on an open train; there is a history in each word but the reader only can glimpse it for a passing second.
—Graham Irvin, MFA candidate in poetry
I’d been meaning to read Eula Biss’s first book, The Balloonists, since reading her essay collection last year. The Balloonists works as a series of prose poems, one long poem, or a lyric essay; her Anne Carson-like genre defiance is one of the reasons I keep returning to her. She studied nonfiction under three poets and after reading this book—about married couples as people “not especially interested in intimacy, who somehow ended up married,” and about Biss’s mother, who tells her that she is “not a liar, but that she is not what [Biss] writes about her”—I think poetry may be the most insistent way to learn how to write in prose.
—Rachel Castro, MFA candidate in nonfiction
It’s been a strange time in America these last few weeks, so we’re heading into this Roundup trying to focus on some good things for our readers and from our contributors. Here are things to toot happy horns about, and inspiring reads in the aftermath of some disconcerting divisiveness.
First up, Lookout author Clare Beams has received a ton of wonderful attention recently for We Show What We Have Learned. Most notably, perhaps, from the New York Times! “Stories as well executed as these are their own reward, but it’s also clear from the capaciousness on display here that Ms. Beams has novels’ worth of worlds inside her.” But there was love too from many others, including Kirkus‘s list of Best Debut Fiction of 2016, Paste Magazine, Parnassus Books, the Fiction Writers Review, the Boston Globe, the Minneapolis Star Tribune, the Charlotte Observer, the Wilmington Star News, Shelf Awareness, Brit+Co, and Flavorwire, to name a few more notables. You can also hear Clare talk with fellow debut story writer April Ayers Lawson on WUNC’s the State of Things. And, here’s a roundup of photos from Clare’s very celebratory book launch here at UNCW.
Could you possibly need more convincing that this is a book you should read?
Lookout author Ben Miller’s Mural Speaks! project, the aim of which is to translate William Carlos Williams’s “The Red Wheelbarrow” into each of the 140 plus languages currently spoken in Sioux Falls, is still looking for submissions. We love the way the project celebrates the diversity of the urban midwest.
Oh, but there’s so much more to celebrate from Ecotone contributors!
We’re thrilled that Dan Hoyt is the winner of the inaugural Dzanc Books Prize for Fiction for his novel This Book Is Not For You. Dan’s story “The Mad King” is one wild ride, in our current issue.
Lynne Thompson and Douglas Kearney are included in this fabulous Black Lives Matter Poetry Reader.
Alison Hawthorne Deming offers the first entry in a new series at Terrain, “Letter to America.”
National Poetry Series winner Melissa Range is featured on PBS News Hour, taking on terms like “redneck” and “white trash.”
Annie Finch’s poem “Moon of Our Daughters” is featured on the Academy of American Poets’ Poem-a-Day.
Megan Snyder-Camp, who has not one but two books out this fall, has three poems in the Sewanee Review.
Belle Bogg’s The Art of Waiting is one of Oprah’s favorite books of 2016!
In their October issue, Poetry Magazine published Issue 21 contributor Laurie Clements Lambeth’s poem “Cusped Prognosis,” which was originally part of her essay, “Going Downhill From Here” in Ecotone‘s current issue.
We hope these engaging reads offer some perspective, comfort, and enjoyment. We’ll see you back here soon for our next Roundup!