Content Tagged ‘brock clarke’

Roundup: AWP Hot Panels Edition

Packing for AWP in Tampa next week and inundated by invitations to panels and parties? So are we! But we’re excited, too: AWP is always a big Ecotone/Lookout Books family reunion and we can’t wait to see you. We’ve whittled out a small selection of events, featuring recent Ecotone contributors. Visit us at Tables 1302 and 1304, where we’ll be getting “Craft”-y…

Remember: leave lots of room in your boes and bags for bookfair acquisitions, apply and reapply sunscreen, and hydrate! See you in Tampa.

Thursday

Intersectional South: New Perspectives in Southern Poetry. (Chad AbushanabJohn Poch, T.J. Jarrett, Adam Vines, Juliana Gray) In the 21st century, there exists a multitude of Southern poetics defined not by location, but by the variable experiences of the American South. This panel seeks to explore “Southerness” in terms of individual experience in order to highlight new identities and perspectives in contemporary Southern poetry. It brings together a diverse group of poets who will speak to the idea of “Southerness” in literature, and how they see this operating in (or against) their own work.
Room 18 & 19, Tampa Convention Center, First Floor
Thursday, March 8, 2018
9:00 a.m. to 10:15 a.m.

The Art of Crafting a Chapbook from Start to Finish. (Abigail BeckelJennifer TsengDan MahoneyWilliam Todd SeabrookBrad Aaron Modlin) What makes a chapbook successful, both in terms of literary merit and sales? This panel will explore best practices for writing, organizing, and publishing chapbooks. Authors will discuss how they conceptualized and structured their chapbook manuscripts, and leading chapbook publishers will talk about what they look for in submissions and how they design and market chapbooks. We’ll also discuss the range of genres—poetry, flash, hybrid work—the short length of a chapbook can effectively showcase.
Room 5 & 6, Tampa Convention Center, First Floor
Thursday, March 8, 2018
10:30 a.m. to 11:45 a.m.

The World Grows: New Directions in Environmental Writing. (Ross Gay, Camille Dungy, Pam Houston, Aimee Nezhukumatathil, Diana Owen) Through writing and art that explore the connection between nature and culture, Orion inspires new thinking about how humanity might live on Earth justly, sustainably, and joyously. This panel brings together an award-winning and diverse group of Orion authors who will read original work and discuss new directions in environmental writing, a genre that has become increasingly urgent in today’s world. Room 18 & 19, Tampa Convention Center, First Floor
Thursday, March 8, 2018
1:30 p.m. to 2:45 p.m.

Poetry, Myth, and the Natural World: A Reading with Aimee Nezhukumatathil, Rajiv Mohabir, and Sherwin Bitsui. Sponsored by Blue Flower Arts. (Aimee Nezhukumatathil, Sherwin Bitsui, Alison Granucci, Rajiv Mohabir) The layering of cultures; the complex wonder of the natural world; the riddle of faith; the deep resonance of mythology: what better place for these dimensions to wrestle and converse than in the poetic realm? The urgency inside the poems of Aimee Nezhukumatathil, Rajiv Mohabir, and Sherwin Bitsui offer a complicated empathy with the world, one that grapples with loss and is tinged with sorrow: even beauty can hurt. Yet their language, resplendent with song, also sings into being a world of joy.
Ballroom B, Tampa Convention Center, First Floor
Thursday, March 8, 2018
4:30 p.m. to 5:45 p.m.

Friday

The World and the Story: How Plot Maps Fictional Realities. (Leah StewartBrock Clarke, Jung Yun, Brenda PeynadoJulialicia Case) In fiction, there’s an interdependent relationship between world-building (the map) and narrative construction (the route). This panel will examine how writers employ different types of stories—the romance, the mystery, the quest—in service to different visions of reality. Why does a realist like Chekhov so often use the romance? For what purposes does a fantasy writer use the quest? How can a writer of literary fiction employ the quest or the mystery to investigate character?
Room 11, Tampa Convention Center, First Floor
Friday, March 9, 2018
10:30 a.m. to 11:45 a.m.

Against Forgetting Against Forgetting: 25 Years Later. (John PochJill Bialosky, Peter Balakian, Jacob Shores-Arguello, Rebecca Gayle Howell) Twenty-five years ago, Carolyn Forche’s groundbreaking anthology, Against Forgetting: Twentieth Century Poetry of Witness, was published. This gathering of poems helped to galvanize an entire generation of poets who came to believe that poems could do more than articulate a poet’s confessional hankerings and could bear witness to history itself. The poets on this panel will read a few of their favorite poems from the anthology and discuss what this book meant and means to their own work and the world.
Florida Salon 5, Marriott Waterside, Second Floor
Friday, March 9, 2018
12:00 p.m. to 1:15 p.m.

Vassar Miller Poetry Prize 25th Anniversary Reading. (Caki Wilkinson, Alison Stine, James Najarian, Anna Lena Phillips Bell, Jordan Windholz) The Vassar Miller Poetry Prize, founded at the University of North Texas in 1993, honors Texas poet, writer, and disability rights advocate Vassar Miller (1924–1998). To commemorate the prize’s 25th anniversary, writers of winning manuscripts will read from their collections, showcasing the formal and geographic variety of poetry published in the series. The reading will be followed by a Q&A.
Florida Salon, 1, 2, & 3, Marriott Waterside, Second Floor
Friday, March 9, 2018
1:30 p.m. to 2:45 p.m.

Sustainable: On Writing Long and Linked Poems. (Kathryn Nuernberger, Jenny Molberg, Cortney Lamar Charleston, Jacques J. Rancourt, Traci Brimhall) In an age of digestible snippets, we grow hungry for occasions to practice the fine art of paying attention. An art form rooted in mindfulness, the long poem is one way of practicing deliberate attention. Drawing on their own experiences writing and publishing long poems, linked poems, project books, and novels-in-verse, this panel will discuss both the rich literary tradition of long and linked poems, as well as provide insights into the process and craft of creating your own sustained lyrics.
Grand Salon D, Marriott Waterside, Second Floor
Friday, March 9, 2018
3:00 p.m. to 4:15 p.m.

A Woman’s Place: Ecotone Essayists Expand the Boundaries of Place-Based Writing. (Belle BoggsAnna Lena Phillips BellShuchi SaraswatAisha Sabatini Sloan) Contributors to a new anthology from Ecotone and Lookout Books discuss how we can continue to broaden the traditional boundaries of place-based writing to make room for more complexity: explorations of body, sexuality, gender, and race. Joined by their editor, these authors consider how women’s unique experiences and histories make them artful observers of the natural world. They will read from their essays and talk about approaches to intersectionality in the field of environmental writing.
Florida Salon 4, Marriott Waterside, Second Floor
Friday, March 9, 2018
4:30 p.m. to 5:45 p.m.

The Teaching Press: Bringing Professional Literary Publishing into the Classroom. (Holms Troelstrup, Steve Halle, Deanna Baringer, Ross Tangedal, Beth Staples) Lookout Books at UNC–Wilmington, PRESS 254 at Illinois State University, BatCat Press at Lincoln Park Performing Arts in Pennsylvania, and Cornerstone Press at UW–Stevens Point utilize literary presses as teaching tools for graduate, undergraduate, and secondary students, emphasizing hands-on experience in literary publishing. Panelists detail important practical and curricular concerns in establishing and maintaining a teaching press, as well as the local and national impact of their work.
Room 17, Tampa Convention Center, First Floor
Friday, March 9, 2018
4:30 pm to 5:45 pm

A Foot in Two Cultures: First Generation American Poets. (John HoppenthalerLauren Camp, Timothy Liu, Adrienne Su) The contemporary influence of poets who were born in the US and whose parents are immigrants has been substantial and important. For these poets, there is an ongoing calibration of the distance between the culture of their parents and their negotiation with the reality and myth of an American Dream. The inherent tensions of this push and pull create a space that can be fruitful for poetry, a space from which the poets who comprise this panel continue to write.
Florida Salon 5, Marriott Waterside, Second Floor
Friday, March 9, 2018
4:30 p.m. to 5:45 p.m.

Saturday

“Ballade of the Poverties”: A Reading by Beloit Poetry Journal Poets. (Meg Day, Nicelle Davis, Cortney Lamar Charleston, Sally Wen Mao, Carolyn Forché) Writers will read poems inspired by Adrienne Rich’s “Ballade of the Poverties.” Addressed to the princes of predation and finance, this piece reminds us that political poetry isn’t new or newly necessary but remains a vital force for survival, resistance, and change. Audience members will submit lines for inclusion in a collaborative response to “Ballade,” to be printed published on the BPJ website.
Room 20 & 21, Tampa Convention Center, First Floor
Saturday, March 10, 2018
3:00 p.m. to 4:15 p.m.

Crafting the Weird: Techniques of Fabulist Female Fiction. (Clare BeamsBrenda Peynado, Jamey Bradbury, Celia Johnson, Ramona Ausubel) Surreal, magical, or fabulist fiction has traditionally been employed to attack political systems through subversive means. Yet, women writers have adapted this genre for their own modes of critique. In this event, panelists will discuss how they use elements of the weird to address subjects such as the domestic, the female body, otherness, and LGBTQ identity. Presenters will provide examples, methods, and techniques for crafting subversive fiction that offers new methods of witnessing reality.
Meeting Room 1, Marriott Waterside, Second Floor
Saturday, March 10, 2018
3:00 p.m. to 4:15 p.m.

News Roundup

Friends, spring is springing here in coastal Carolina, and along with it: Ecotone and Lookout writers are in full bloom, sprouting up all over the internet with fabulous projects, opening their leafy arms for literary embraces. Are we getting carried away with this metaphor? See what they’re up to and I think you’ll agree that it should have gone on much longer.

IMG_1300Before we start, we’d like to share some pictures of Ecotone and Lookout in the wild, to add some spring color to this post. Look! It’s Ecotone poetry editor Stephanie Trott, who found a rare Issue 3 at Powell’s Books in Portland. And, farther down, Matthew Neill Null finds himself in some great company at Housing Works Bookstore in NYC.

Okay, first up, Ecotone contributor Rick Bass has a new story collection out. Here he is talking about the art of the short story on NPR. And Smith Henderson reviews the collection for the NYTBR here, saying, “One long proposal of chemical magic, the fantastic origin of the very color blue, and Bass has situated us at the intersection of science and another kind of terrestrial alchemy.”

Speaking of magic, Ecotone contributor and soon-to-be Lookout author (more on that very soon!) Clare Beams is talking about magic over on the Ploughshares blog. “I turned some kind of corner as a writer when I started letting inexplicable things happen in my fiction,” she says. And we can’t wait to show you exactly what she means!

UnknownSpeaking of inexplicable things, if you’re up for hearing about “Haunted Souls and Public Hangings”–and we hope you are–join Lookout author Matthew Neill Null at the Virginia Festival of the Book this weekend. He’s giving a talk with Glenn Taylor at the New Dominion Bookshop in Charlottesville (404 E. Main Street) at 12 p.m., Saturday, March 19.

Speaking of Main Street, are everyday problems getting you down? Do you need some hilarious, practical, and sensitive advice? You’ve probably heard Lookout author Steve Almond on the Dear Sugar podcast with Cheryl Strayed, but you might not know that he does a regular advice column for Cognoscenti called “Heavy Meddle,” where he tackles all sorts of advice from “My In-Laws Are On The Warpath Over Our Baby’s Name” to “It’s Been 2 Years Since My Wedding and I Still Haven’t Sent ‘Thank You’ Cards” to “I Don’t Know How to Live Without My Dying Cat.” Sad, surreal, and totally helpful.

Speaking of music (I’m referring, ahem, to the “heavy metal” inference above), Ecotone contributor Dom Flemons has a fantastic piece about Thomas A. Dorsey, the inventor of modern gospel music, in the Oxford American. “He wrote songs like a bluesman because he was a bluesman. And he taught choirs to sing that way: calling to God, guided by the musical structure of the blues.”

Speaking of public transportation (okay, we weren’t, but grant me one rough transition, okay?) Ecotone contributor Brock Clarke has a great story online at the Kenyon Review called “The Bus.” It’s a wild and totally entertaining ride!

LinehanAnd last but not least, and bringing it back to spring flowers!: The winner of the 2016 Rose Post Creative Nonfiction contest has been announced! Karen Smith Linehan won for her essay “Magnolia grandiflora.” Final judge Kate Sweeney says of the essay, “There is a sense here that every phrase and every word is chosen with great intent, and taken together, the work conveys the magnitude of this tree in a voice that is, like the tree itself, both quiet and commanding.” The contest is hosted by the North Carolina Writers’ Network and administered by UNCW’s creative writing department. She’ll receive a $1,000 prize. We can’t wait to read it–congrats, Karen!

We hope your week is filled with growing things both tangible and not. Enjoy the coming spring, and we’ll see you at the next Roundup!

Lit News Roundup

Winter Institute kicks off in Asheville this weekend, and we’re proud to be hosting the NC Speakeasy on Sunday evening with fellow Tar Heelians Algonquin Books and John F. Blair, both of which are also featured in “North Carolina Indies Build Lists, Community” from Publishers Weekly. Booksellers, please look for Matthew Neill Null’s debut novel, Honey from the Lion, in the galley room. Can’t make it to Asheville? E-mail us for a copy.

You can get a sneak peek at the galley, and maybe even a few photos of Winter Institute, by following us on our newly launched Instagram.

Our news feeds were abuzz with week with reports that Harper Lee, author of To Kill a Mockingbird, is publishing a new novel, which follows Scout twenty years after the classic. Titled Go Set a Watchman, it was written first but presumed lost until Lee’s lawyer discovered it in the secure archive near the author’s Alabama home last fall.

Just this morning, Electric Literature and Grove Atlantic announced the launch of Literary Hub, “a new home for book lovers” (Wall Street Journal). Literary Hub will feature a mix of content contributed by partners and original material, including author interviews, features, excerpts, and essays. Sign us up, please!

We’ve all heard the phrase don’t judge a book by its cover, but this Guardian article presents an unusual counterpoint to that adage: this book cover judges you! In fact, it won’t open unless the reader has a neutral expression on her face.

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Lit News Roundup

It’s the final week of classes here at UNCW, and we’re beyond grateful to the student staffers who are the heart of our enterprise. This semester, they’ve dedicated their energy and talents to threading a book interior, researching and pitching covers, hand-lettering titles, fact-checking, proofreading, writing media materials, and planning the marketing and publicity strategy for next year’s release. Thanks to Abby Chiaramonte, Liz Granger, Justin Klose, Katie Prince, Bethany Tap, and especially Becky Eades, who has managed our social media platforms, including this blog, with diligence and care over the past few years. You all will be missed, and we wish you every success in your future writing and publishing endeavors. (Good luck finishing up your portfolios and exams too!)

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As 2014 draws to a close and we hit the bookstores for holiday shopping, we thought we’d round up a few best-of lists that caught our eye:

Time released lists of the Top Ten Everything in 2014, including the Top Ten Fiction Books and the Top Ten Nonfiction Books.

Was 2014 the year of the debut? Electric Literature thinks so, but we recommend keeping an eye out for Lookout’s debut novel, Honey from the Lion, in 2015.

We’re always eager to see which titles make the “100 Notable Books of 2014” from the New York Times.

Slate issued the “22 Best Lines of 2014,” featuring Astoria to Zion and Ecotone contributor Rebecca Makkai. Head over to read her sentence and twenty-one others from some of the year’s “most enjoyable books.”

Speaking of sentences, Salon published a terrific collection of ”Two-sentence Thanksgiving Fiction,“ featuring authors Brock Clarke and Rebecca Makkai.

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Lit News Roundup

It’s hard to believe that just two weeks ago we were celebrating Writers’ Week and helping our sister magazine, Ecotone, launch the fall Sustenance issue with a farm-to-table supper in partnership with Feast Down East. The delicious meal was served under a full moon and glowing lights in the Kenan Hall courtyard. Thanks again to contributors Alison Hawthorne Deming and Randall Kenan, as well as Leslie Hossfeld and Stefan Hartmann of Black River Organic Farm, for speaking. If you missed it, you can enjoy a taste of the evening in this album, courtesy of UNCW’s Will Page.

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The new Sustenance issue of Ecotone is now on newsstands and available via the website, but don’t forget to pick a copy of the Spring/Summer 2014 issue, featuring a story by Lookout’s next author, Matthew Neill Null, while you’re at it.

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Lit News Roundup

As always in our weekly Lit News, we round up the essential discussions in literature and publishing and also reveal all the Lookout and Ecotone author scoop!

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Beginning with a little book cover candy: how lovely is this jacket for Poems of the American South, edited by David Biespiel and published by Everyman’s Library? (Psst: Catch up on all of our favorite book jackets, posters, and type design on our Pinterest account.)

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Friday Lit News Roundup

Here at Lookout headquarters, it’s been a beautiful week so we’re spending as much time outside as we can, but if there’s any view we occasionally prefer to the great outdoors, it’s this one. (A gentle reminder: we’re always collecting our favorites over on Pinterest, so please join us there.)

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Just in case you were soaking up some rays and missed our posts from earlier this week, we have big news.

We unveiled two new blog categories! In Seven Questions, author Brock Clarke revealed which books are open on his desk, what he would change about The Great Gatsby, and whether he dog-ears his books or not. It’s a terrific interview you won’t want to miss.

And on Thursday, we introduced On Location with Lauren Groff. This department showcases our favorite authors’ writing studios and other spaces that inspire them. In her wise and funny post, Lauren addresses the differences between writing before she had kids—”If anyone had interrupted me, they’d have died a horrid death.“—and her writing practice now that she’s a mother. “I write in line to pick up my kindergartner at school; at night, accompanied by my insomnia in the bathtub; in my parents’ empty house down the street; in my head in the middle of the night when my three-year-old has the croup.”

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Seven Questions for Brock Clarke

In Seven Questions, the newest series on our blog, we interview writers, editors, designers, and others in publishing. We hope you’ll enjoy our first post with Ecotone contributor Brock Clarke, whose funny and powerful story “Our Pointy Boots” first appeared in our evolution-themed issue. We loved the story so much that we recently gave it a second home in Astoria to Zion: Twenty-Six Stories of Risk and Abandon from Ecotone’s First Decade.

We also hope that you’ll share this interview and will continue to follow not only Seven Questions but a few other departments we plan to unveil in the coming weeks. Stay tuned to find out which fictional dog Brad Watson would adopt, as well as why dog-eared book pages make Cary Holladay think of nuns.

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What books are open on your desk right now? 

Tove Jansson’s The Sculptor’s Daughter, Russ Rymer’s Genie, Stefan Zweig’s Beware of Pity, Mary Robison’s Why Did I Ever.

Where did the idea for your story in Astoria to Zion come from? 

It’s been fun to go back and try to think of what made me start that story. I know I was in Watertown, NY, snooping around, thinking about a novel I was planning on writing that would be, and ended up being, set there. And there’s an enormous military base in town, and I saw some soldiers drilling on the base, so there’s that. And I also recalled a sweatpants wearing lunatic with one pant leg up and one down doing laps around the public square, so there’s that too. And I remember feeling how daunting writing a new novel felt—and how I didn’t really feel like I could do it—but if I could maybe write a story set in the same place, then maybe the novel would feel possible, even if the novel ended up being nothing like the story. When I was thinking about this, I was also thinking, for some reason, about a line in a Barry Hannah story, I don’t remember which one, narrated by a guy who was pledging to put on his cowboy boots (I don’t remember if they were pointy or not) and walk up and down Main Street until someone noticed him. And I liked the image of a bunch of guys doing the same thing in Watertown, and I saw them all as a group, walking around in their pointy boots, and so I decided to let them narrate as a group too, for a while.

If you could change one thing about a classic work of literature, what would it be?

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