Content Tagged ‘AWP’

Ecotone Wants to Know What You Overhear at AWP: #OHatAWP

To fête our Sound issue, Ecotone will be dedicating a Twitter/Instagram/FB hashtag to it at AWP: #OHatAWP (short for “overheard at AWP”).

It’s a tongue-in-cheek homage to Overheard in New York, the humor blog that documents snippets of conversation heard by passersby in NYC (as well as to spin-off endeavors including Overheard at The Office, Overheard in Philadelphia/Minneapolis/Berkeley, and Overhead Everywhere).

So, let’s all get ready to eavesdrop! We’ll be cataloging the most interesting sounds in and around the conference. Think: cool quotes from panels, people getting excited about seeing fave writers/books/journals, funny things passersby say, and non-human noises, such as, I don’t know, the Santa Ana winds blowing in from the east, the sound of relief when you realize your shift at the booth doesn’t start until 8:30 a.m. Pacific Standard Time, the sound of ice tinkling at off-site events, the sounds of anticipation when Roxane Gay is about to read, the sounds of seventy degrees and manzanitas in bloom and real tacos sizzling at streetside carts.

To incentive you, Ecotone is hosting a social media contest (encompassing Facebook, Twitter, and Instagram) for the very best #OHatAWP post. You must use the hashtag and tag us to be considered. We’ll retweet/share all the particularly funny/profound ones, and we’ll decide on a winner once the conference ends. Said winner will receive a free yearlong subscription, or will get a year added to their current subscription.

Which brings us to the physical component: We’ll have a chalkboard at our booth, on which we’d love for you to write you “#OHatAWP @ecotonemagazine” thoughts. We’ll take pictures of the blackboard, and you if you’d like!, and post them all over our social media. We also hope you’ll post your own pictures and tag us. We’ve got free postcards with photos from our Sound issue to thank you for your participation–come by and check them out.

We can’t wait to hear what you hear. We’ll see you, and hear you, at AWP!

News Roundup

This week we’re rounding up the Ecotone and Lookout haps (that’s California-style talk for “events”) at next week’s AWP conference in L.A. We, like, totally hope you’ll come see us at tables 919 and 921 in the bookfair!

Stay tuned to the blog this week for details about promotions we’ll be running, including a caption contest related to Honey from the Lion (the winner will receive the ENTIRE Lookout catalog!) and how using #overheardatawp in honor of Ecotone‘s sound issue can score you some schwag.

Speaking of Honey from the Lion, you’ll find author Matthew Neill Null signing books twice in the bookfair: on Thursday at the Provincetown Fine Arts Work Center table (1254) from 10 to 11, and at our table (919) on Friday from 11 to 12. Come get a book signed!

And if you’re up for a party, please come have a drink and a chat with us on Thursday from 5:30-7:30 as we mingle with our friends at the Common, the Los Angeles Review of Books, Young Literati of The Library Foundation of Los Angeles, and Santa Monica Review

Here’s what some of our other friends are up to:

This panel features a nice taste of the two “great Jamies” of our Anniversary issue :
The New South: A Reading in Three Genres. (Devin Latham,  Dr. David Jamie Poissant,  Adam Vines,  Carrie Jerrell,  Jamie Quatro) With Faulkner’s South paved into history, what defines Southern literature today? Do contemporary Southern writers still make use of old tropes like familial loyalty, racial tension, and heavy religion set in a humid landscape of live oaks and wisteria? Does the urban and suburban South require new settings and themes? This reading features five Southern writers reading fiction, nonfiction, and poetry that illuminates and redefines Southern literature today. Thurs at 9 am: Room 406 AB, LA Convention Center, Meeting Room Level

Here’s a place-based and co-starring issue 20 contributor Toni Jensen:
Rewriting the Iconic West: Native and Latino Writers on Crafting Change. (Toni Jensen,  Stephen Graham Jones,  Tim Hernandez,  Erika Wurth,  Ito Romo) From the cowboy on horseback to the detective on the dark city streets, the fictional icons of the West loom both familiar and large. Their stories have the ease of familiarity, but what if the stories you want to tell shift the vantage point? What if your hero is the one shot by the cowboy, the man turning the corner to avoid the detective? A diverse set of writers discusses strategies for telling the West’s iconic stories through a wide range of viewpoints and in diverse cultural contexts. Thurs. at 10:30: Room 402 AB, LA Convention Center, Meeting Room Level

Another place-based panel, this one featuring Ecotone all-star Alison Deming and one-time contributor, the legendary Mark Doty:
The Tattooed Desert: A Tribute to and Reading from Richard Shelton, Hosted by the University of Arizona Poetry Center. (Alison Deming,  Mark Doty,  Ken Lamberton,  Naomi Shihab Nye,  Richard Shelton) This panel/reading celebrates the life of poet, writer, teacher, and literary citizen Richard Shelton. Shelton’s 12 collections of poetry include The Tattooed Desert, Selected Poems: 1969–1981, and The Last Person to Hear Your Voice. A critical influence in the 20th-century American literary landscape and a quintessential voice of the American Southwest, Shelton’s work as an educator perseveres, particularly in the Arizona prison-writing program he launched in 1974 that continues today. Thurs. at 10:30: Room 502 B, LA Convention Center, Meeting Room Level

This one has Ecotone‘s editor Anna Lena and contributor Annie Finch:
From Tetrameter to Terza Rima: Prosody as a Catalyst for Discovery in the Workshop. (Anna Lena Phillips,  Kim Addonizio,  Annie Finch,  Timothy Steele) Formal poetics can enliven workshops and offer students access to a rich set of traditions, replete with potential for new work. As teachers and authors of guides to poetic craft, the panelists have introduced students to formal prosody in college courses and in community settings. How can craft guides be used to encourage experimentation with meter, fixed forms, and procedural work? Their titles offer a wide range of strategies; they will discuss these as well as other possibilities. Thurs at 1:30: Room 409 AB, LA Convention Center, Meeting Room Level

This one has Ecotone contributor Camille Dungy:
Genre-Crossing and Poetic Truth: Lyric Nonfictions, Reported Poems. (Tess Taylor ,  Camille Dungy ,  Robert Polito,  Tom Sleigh,  Brian Turner ) This panel examines the places where genres collide and inform one another. What happens when the poet takes up the memoirist’s work, the reporter’s notebook, the essayist’s pen? What do poets learn about poetry by pushing its boundaries? By what means does documentary poetry emerge, and what can poets teach documentarians? Five skilled practitioners of both poetry and nonfiction explore the productive sites where genres overlap. Thurs. at 3: Room 518, LA Convention Center, Meeting Room Level

So, no contributors here, but this one’s right up our alley!:
The New Nature Writing. (Sarah Gilman,  Meera Subramanian,  Christine Woodside,  Elizabeth Rush,  Laura Pritchett) What is the impact of climate change on contemporary literature and creative nonfiction in particular? How do you write creatively about climate change? And how can we engage new audiences about a deeply polemic issue? Through a sustained discussion of craft, best practices, and theory, this panel explores the ways in which climate change has destabilized and redefined our literary interaction with nature. Thurs. at 3: Gold Salon 4, JW Marriott LA, 1st Floor

We’ve got a hat trick in this one! Ansel, Rebecca, and David are all Ecotone contributors:
The Music Issue: Poetry’s Root Influence (Hosted by the Oxford American). (Ansel Elkins ,  Ada Limon,  Don Share,  Rebecca Gayle Howell,  David Kirby) Roots music represents a diversity of styles ranging from Tejano to gospel to blues and beyond—sound work from the crossroads of place, family, and culture. Poetry, too, has an Americana tradition, a divergent verse that sings the multitudes of our fly-over selves. The Oxford American presents a conversation about musical influence that moves through the global into the local and returns us to the origins of poetry: the beat, the breath. Friday at 9: Room 502 B, LA Convention Center, Meeting Room Level

This panel features folks from UNCW’s graduate program–Jamie Mortara, former Lookout intern, and Corinne Manning, former Pub Lab staff:
Reimagining Literary Spaces. Maisha Z. Johnson (Black Girl Dangerous, Silk Road,various), Jayy Dodd (The Offing), Zinzi Clemmons (Apogee Journal), Jamie J. Mortara (Voicemail Poems), Nancy Jooyoun Kim (various, The James Franco Review)Literary journals must go beyond stating a commitment to inclusivity and diversity. To change the literary landscape and make public more work by POC, LGBTQ, women,working class and differently abled communities, journals must reimagine the traditional structure of submissions or even the role of literary spaces. Editors will share their experience of how they re-visioned journals or differently approached the editing process Friday at 1:30, Gold Salon 2 in the Marriott on the 1st Floor

Two Ecotone contributors in this remembrance:
Remembering Claudia Emerson. (Emilia Phillips,  Jill McCorkle,  Alan Shapiro,  Kathleen Graber) Claudia Emerson’s death in late 2014 grieved her friends and her readers. This event features panelists remembering her spirit and her work and inviting audience members to participate by also reading her poems so that her single voice resonates through a chorus of witnesses. The panelists focus on her posthumous books, The Opposite House and The Impossible Bottle. Friday at 1:30: Room 403 B, LA Convention Center, Meeting Room Level

This one place-based AND stars two Ecotone contributors:
The Sonoran Desert: A Literary Field Guide. (Christopher Cokinos,  Eric Magrane) More than 50 writers respond to the stunning biodiversity of one of the world’s most important deserts. From serious to comic, postmodern to narrative, this community produced an anthology as varied as the desert itself. Editors and contributors will do brief readings, followed by a discussion of the processes behind creating a unique book that combines, for the first time, anthologizing creative work with (playful) natural history descriptions and illustrations found in traditional field guide. Saturday at noon: Robert Muroff Bookfair Stage, LA Convention Center, Exhibit Hall Level One

We hope to see you at one of these events or at the bookfair table or totally soaking in some sun waiting in line outside of a taco truck. Travel safe to L.A.!

Rick Bass and Stellarondo

Even though we’re now several weeks removed from AWP, I find myself mentioning Rick Bass and Stellarondo to anyone who will listen. Don’t get me wrong—I went to several inspiring panels, including A Shapeless Flame: The Nature of Poetry and Desire, and I especially enjoyed The Sun’s fortieth anniversary reading. But Rick Bass and Stellarondo presented something wholly different.

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image from prx.org

Because this was my first time experiencing AWP, and in an effort to narrow my choices, I gave myself the task of attempting to visit panels and readings of writers included in Lookout’s new anthology, Astoria to Zion: Twenty-Six Stories of Risk and Abandon from Ecotone’s First Decade. I hoped this mission might help me more easily navigate the conference of 550 events and more than 2,000 presenters.

Which explains how I ended up sitting on the front row for this amazing collaboration of literature and music. I was introduced to the project when gathering items for Lookout’s weekly Lit News Roundup, and I had to hear it for myself.

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Edith Pearlman and Andre Dubus III Podcast

As we begin to prepare for the upcoming AWP conference in Seattle, we just can’t forget about Boston. In case you missed it, here’s a highlight from the conference featuring Andre Dubus III and our very Edith Pearlman reading and discussing their work. Thanks to The PEN/Faulkner Podcast Series for making this available!

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Check out the podcast and look for us in Seattle!

AWP Recap

Now that we’ve had some time to recover from AWP 2013, here’s a little photo recap of our time in Boston. We had several great panels, including a tribute to Edith Pearlman, a talk on successful indie publishing, and our own four debut Lookout authors reading together for the first time. They also signed books at our booth and got to talk with all our loving readers.

Designing the Interiors of The Debut Voices of Lookout Books Chapbook

Lookout Books is getting excited about AWP. We hope you’ll stop by our table at the Bookfair, and that you’ll attend The Debut Voices of Lookout Books, which is happening this Friday at 1:30 p.m. This reading will be the first time all four Lookout authors are in the same place, and the event will be followed by a book-signing at our Bookfair table. You’ll be able to grab signed copies of all our Lookout titles. We’re also excited about unveiling the limited edition chapbook that we printed in-house to commemorate the Debut Voices event.

We did a blog post about creating glyphs for the chapbook (read it here). Now we’re going to share how we designed the interior of the chapbook, which features complete stories from our three prose authors’ Lookout titles and two poems from our Lookout poet . Here’s a look into the process of designing and printing the book:

As the interior designer, I met with the interns doing cover design and together we decided on a trim size of 6” x 6”. Then I got to work on designing a page layout, asking for feedback as we worked.

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1. An early version, with handwritten feedback. We needed to feature the author name more prominently, to group the name and title differently, and to give the text more room to breathe with some larger margins.

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A Look Behind and Ahead

Wow! I can’t believe the Fall semester here at Lookout Books has come to an end. We’re a teaching press (as you probably know already). Our staff is almost entirely made up of graduate students doing design, marketing, editing, blogging, social media, and way more.

As blog editor, it has been an absolute pleasure to work with our current staff: Joe Worthen, Katie Jones, Ethan Warren, Anna Sutton, and Ana Alvarez. I’d like to thank them for their hard work and take a brief moment to re-cap my favorite blog posts this semester:

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What We Found at AWP

Every Wednesday we post about what we’re reading at the Lookout offices. The books and journals you find here are what inspire us. This week we’d like to highlight some of the publishers that caught our eye at AWP. Enjoy!

“I picked up A Boy from Ireland at the Persea Books table. It’s by Marie Raphael. I was first drawn to it because the cover was striking. Then I noticed the title, and I’ve always been drawn to Ireland. I’m almost done so I can say with confidence that it is really good.”

– Livingston Sheats, Pub Lab assistant director

 

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AWP Schwag

We just finished hand-making these wonderful little journals for AWP.

Get them at tables N5/N6 when you buy a Lookout book — Binocular Vision by Edith Pearlman, God Bless America by Steve Almond, or the not-yet-released poetry collection When All the World is Old by John Rybicki (April 10).

– John Mortara, Lookout Intern