Ben Miller’s memoir-in-essays, River Bend Chronicle: The Junkification of a Boyhood Idyll amid the Curious Glory of Urban Iowa was published by Lookout in 2013. He sent us this update about life after his Radcliffe Fellowship and a cross-country move for our regular department On Location, where writers share a picture of a meaningful place.
After completing my fellowship year at the Radcliffe Institute in May, I made a spinning leap from Cambridge to Sioux Falls, South Dakota, and landed on my feet in front of the celebratory mural in Meldrum Park created in 2013 by artist Dave Loewenstein and the children of the Whittier Neighborhood. Squeezed in my left hand is a manuscript containing the sixty-one new translations of William Carlos Williams’s “The Red Wheelbarrow” that I gathered over the last year from generous poets around the globe. It is my dream to hold a park reading at which this tiny poem of vast vision will be delivered in each of the 143 languages currently spoken in homes in Sioux Falls. Any translator interested in participating, please e-mail me at firstname.lastname@example.org! I am in particular need of translations of the poem in African and Asian languages.
Ben Miller is the author of River Bend Chronicle: the Junkification of a Boyhood Idyll amid the Curious Glory of Urban Iowa. His prose is forthcoming in the New England Review and the St. Petersburg Review. His awards include fellowships from the NEA and the Radcliffe Institute for Advanced Study at Harvard. On October 17 in Hooksett, New Hampshire, he will be presenting shrub-based polyphony in front of the New England chapter of the International Lilac Society. Selected works from his ongoing collaboration with the painter Dale Williams can be seen very soon in Brooklyn.